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Halation - Halation is added to the footage in linear space so that it reacts accordingly with each stop of dynamic range based on the original light intensity of the scene. This method converts to LMS color space, making adjustments more photometrically accurate.Ĭam EXP - Pre-emulation “camera” exposure is adjusted here. GamutLim - Out of gamut artifacts from can be fixed by limiting working color space to a more narrow gamut.Ĭam WB - Camera white balance is adjusted using Chromatic Adaptation. Halation reacts realistically with the border and will bleed over the edge.ĬST - The footage is transformed from its original gamma and color space to Arri LogC and Alexa Wide Gamut using a Color Space Transform. Weave - Optional gate weave using the Camera Shake OFX.īorder - A film border can be added as a matte.

PHOTOSHOP CC COLOR WHEEL PICKER PDF

The digital download comes with the original CinePrint16 PowerGrade, the new CinePrint16 V2 PowerGrade, an in-depth User Guide PDF for each version, and film border matte PNG images.ĭenoise - Spatial and temporal noise reduction is applied to the footage prior to all transforms.

LUTs, whether they are technical or creative, are singular, defined, and destructive transformations, meaning input data is clipped to a restricted range of output data, and the look is baked in, not adjustable.Īs a PowerGrade, CinePrint16 is node-based and parametric, so non-destructive adjustments can be made to each individual aspect of a look according to taste or need. PowerGrades vs LUTsĬinePrint16 is more flexible and customizable compared to a LUT or LUT pack. The looks can be further customized with adjustments to halation, subtractive color density, CIELAB color separation, and CIELAB color matrices. Every feature within the node tree is fully customizable.īuilt-in looks include a Cineon negative telecine look, Kodak 2383 and Fuji 3513 print film looks, and a vintage 60’s film look. The grade implements visual features of celluloid film such as halation, rich and nuanced saturation, subtractive color mixing, highlight rolloff, gate weave, grain, and dust.

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The PowerGrade is compatible with both the MacOS and Windows versions of Davinci Resolve. No additional plug-ins or resources required. 709.Īll components of the grade are 100% native to Davinci Resolve. All cameras are converted to Arri LogC and Alexa Wide Gamut, graded in this space, and then output as Rec. The PowerGrade is compatible with any camera through the use of Resolve’s Color Space Transform OFX. The PowerGrade contains a variety of built-in looks and options, while also being fully customizable to suit the needs of any project.ĬinePrint16 V2 is now included in the download.ĬinePrint16 V2 contains numerous incremental upgrades and improvements including more accurate halation, updated white balance color science, improved highlight response, and workflow efficiency improvements.

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More than a LUT or a plug-in, CinePrint16 is a full node-based image-processing pipeline that allows colorists and cinematographers to recreate 8mm, 16mm, and 35mm celluloid film looks. CinePrint16 is a film emulation PowerGrade for Davinci Resolve.

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